Balancing Elements – A Study of Locomotive Parts

Do you recall the sketches from your childhood? Recently, my parents shared with me some of the sketches that I had drawn as a kid. The most common sketch was a landscape done with crayons. It seems I was quite fond of it. There was a row of mountains, a river flowing down from the mountains dividing the foreground into two parts. One of these had a simple house and the other part had a tree growing. Behind the hills, on one side was the sun and on the other side were birds flying. I am sure many of you created similar sketches. Now even my daughter creates similar sketches.

 

Following up on those days, this is how I have started to balance out my compositions. Now I am learning to let the creative side of my mind, loose. The results seem more pleasing to me now.

Pressure Meter

Continue reading

Capturing Emotions – Fear

Some of the photographers asked me about some tips and tricks to capture various emotions. How can they express themselves? What does it mean when mentors say that you should use your photography as a medium to express your own feelings?

 

(Row of trees – the overgrown forest gives an eerie feeling)

Continue reading

Story in a Photograph

Every photograph has a story behind it. It means something to the photographer. There would have been incidents, anecdotes or thoughts that led to that image. The gap arises when the photographs fail to convey these stories. This is the medium we have to convey our thought and experiences. So, is it not obvious, that our photographs should also tell these stories?

 

Post Eye-Surgery

Continue reading

Myths in Photography? You decide!

“The great enemy of the truth is very often not the lie, deliberate, contrived and dishonest, but the myth, persistent, persuasive and unrealistic.” – John F. Kennedy.
I have come across various schools of thoughts on different topics that some of them are now like widely propagated myths. Are these really myths or just my mind fighting against itself? Has the whole photography fraternity got it wrong and just a handful of photographers can understand the truth or is it me who is confused? Here is a list of top facts that I consider to be myths.

(Nikon Df with Nikkor 50mm, f/5.6, 1/100 sec, ISO 100, +2 EV compensation on center-weighted metering)

Continue reading

Fibonacci Spiral and Photography

Leonardo Bonacci (Fibonacci) was an Italian mathematician, sometime in the middle ages. He is best known for his sequence of numbers called Fibonacci Sequence. This is a series of numbers where each consecutive number is a sum of the prior two numbers (1,1,2,3,5,8,13,21,34,55….. and so on). Though these numbers had been known to Indian mathematicians many centuries earlier, they were introduced to Europe by Fibonacci and caught the media attention some years back with the publication of Dan Brown’s novel, The Da Vinci Code. Painters have long used this sequence knowingly or unknowingly to create beautiful artworks and now photographers over the past few decades are understanding to use it.

Continue reading

Composition Rules – Part II

This article is in continuation with Composition Rules – Part I and covers some more rules of compositions.

 

Human Element

Humans in general love company. It is once again the evolutionary aspect in play. Since ages, people have lived in groups, hunted in groups and even fought wars in groups. Our subconscious finds comfort when other humans are around. It is therefore natural that presence of humans adds an interesting element to most photographs. Though not all genres of photography blend well with human element. Sometimes they can also be a distraction. Very careful use of human element can add drama to otherwise mundane photographs.

Tea Plantations

(Tea plantation with workers picking tea leaves at a distance)

Continue reading